2013
DOI: 10.1016/j.sbspro.2013.07.086
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Overcoming Performance Anxiety Among Music Undergraduates

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Cited by 19 publications
(18 citation statements)
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“…In another study by Zakaria et al 63 , it was found that the main forms of coping with MPA as reported by undergraduate musicians were: praying, use of breathing and relaxing techniques, more practice and accumulation of previous performance experiences.…”
Section: Coping Strategies Associated With Music Performance Anxietymentioning
confidence: 97%
“…In another study by Zakaria et al 63 , it was found that the main forms of coping with MPA as reported by undergraduate musicians were: praying, use of breathing and relaxing techniques, more practice and accumulation of previous performance experiences.…”
Section: Coping Strategies Associated With Music Performance Anxietymentioning
confidence: 97%
“…A number of other factors that have been shown to affect the severity of MPA in professional and aspirational student musicians have also been assessed in this study to ascertain whether these relationships are also apparent in non-music major students. These include female gender (Biasutti & Concina, 2014; Iusca & Dafinoiu, 2012; Kenny et al, 2014; Osborne & Kenny, 2008; Osborne, Kenny, & Holsomback, 2005; Rae & McCambridge, 2004; Wesner, Noyes, & Davis, 1990); lower self-efficacy (Liston, Frost, & Mohr, 2003; McPherson & McCormick, 2006; Papageorgi et al, 2010); performance setting (Chesky, Kondraske, Henoch, Hipple, & Rubin, 2002; Cox & Kenardy, 1993; Kenny et al, 2014; Langendörfer, Hodapp, Kreutz, & Bongard, 2006; Miller & Chesky, 2004; Papageorgi et al, 2010; Wesner et al, 1990); evaluative threat and fear of negative evaluation (Brotons, 1994; Fehm & Schmidt, 2006; LeBlanc, Jin, Obert, & Siivola, 1997; Nideffer & Hessler, 1978; Zakaria, Musib, & Shariff, 2013); and previous performance breakdowns (Osborne & Kenny, 2008).…”
mentioning
confidence: 99%
“…Egyes kutatási eredmények nagyjából 15-25%-ra becsülik azon zenészek arányát, akik zenei teljesítményszorongással küzdenek (Steptoe, 2001), míg mások szerint ez az arány 16-40% között mozog (Fehm & Hille, 2005;Wesner, Noyes, & Davies, 1990). Egy vizsgálatban a zenészek 96%-a vallotta be, hogy közönség előtt idegesek és lámpalázuk van (Zakaria, Musib, & Shariff, 2013). Bár egységes definíció nincs a szakirodalomban, a leggyakrabban idézett meghatározás szerint a zenei teljesítményszorongás (music performance anxiety, MPA) "tartósan fennálló aggodalom érzete az észlelt és/vagy ténylegesen csökkent, társas környezetben előforduló előadói készségek romlása miatt, ami nem vezethető vissza a személy adottságaira, gyakorlására és a felkészülési szintjére" (Salmon, 1990, p. 3).…”
Section: * Szegedi Tudományegyetem Neveléstudományi Doktori Iskola **unclassified