Overcoming and Denial: Disability and Modern Dance in the United States

Anderson, Bailey

doi:10.1017/s0149767720000364

Cited by 4 publications

(1 citation statement)

References 20 publications

(21 reference statements)

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“…Lustig and Tan put forward that in dance teaching, it is important for students to understand and master the aesthetic characteristics and types of dance lyricism to improve their aesthetic ability [ 11 ]. Anderson put forward that accumulating rich life experience and artistic practice experience, going deep into the folk to carry out art gathering activities, being good at discovering and digging beauty from life, and absorbing rich nutrition from the “root” of dance art are important methods to capture dance images and enhance aesthetic ability, so as to better serve the shaping of dance images [ 12 ]. A. Wang and C. Wang proposed that many original ecological folk dances are formed within the same nation due to different branches, geographical distribution, economic status, and cultural development.…”

Section: Research Status Of Aesthetic Characteristics Of Dance At Hom...mentioning

confidence: 99%

Aesthetic Characteristics of Dance Based on Few-Shot Learning and Neural Networks

2022

Computational Intelligence and Neuroscience

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Dance is constantly discovering truth, goodness, and beauty in human social life, spreading truth, goodness, and beauty, and fully expressing the artistic pursuit of dance beauty. It shapes different dance images, expresses the aesthetic consciousness and feelings of dance, and resonates with the audience to meet their aesthetic needs through various forms of movement. Because the RBF neural network model is good at approximating functions, many researchers have begun to use the RBNN approximation model for engineering design. Due to the limited dance data available for research, this paper uses radial basis function neural network model to study the aesthetic characteristics of dance in the context of few-shot learning. When the time index reaches 50, the average ratio of the L-MBP algorithm is 33.4 percent, 32.5 percent for the RBNN algorithm, and 46.3 percent for this method. As can be seen, this method has the highest ratio of the three algorithms, giving it a distinct advantage in terms of dance aesthetics. As a result, this paper establishes a neural network model, trains and simulates the network model, studies and analyzes the influence of changes in influencing factors on the aesthetic characteristics of dance, and provides a new idea for the prediction of the aesthetic characteristics of dance and a reference for optimizing the design of the aesthetic system of dance using the prediction ability of radial basis function neural networks.

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Section: Research Status Of Aesthetic Characteristics Of Dance At Hom...mentioning

confidence: 99%

Aesthetic Characteristics of Dance Based on Few-Shot Learning and Neural Networks

2022

Computational Intelligence and Neuroscience

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Movement’s Return: Sensations in Context

Nicely

2023

New World Choreographies

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Differing bodyminds: Cripping choreography

Goidsenhoven

Rutgeerts

Sandahl

2022

Choreographic Practices

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In this position paper we start to articulate what crip theory can open up for choreography and dance. Crip theory is a critical perspective that analyses, exposes and critiques systems of normalcy in representation and social practices as well as a framework for imagining alternatives based on disabled ways of being in the world. The term crip, short-hand for the derogatory term ‘cripple’, is a re-appropriation by disabled individuals and communities, an act of pride, a demand for inclusion in mainstream life, and, paradoxically, a defiant occupation of the margins. ‘Crip theory and choreography’ was also the topic of a symposium and doctoral school we organized in Belgium in the spring of 2022. The aim of that event was to adopt the contemporary performing arts as a realm for our theorizing in embodied and experiential forms of knowledge-making in research and art practice. Over the course of the symposium and doctoral school, we explored how ‘crip dance’ might produce difference not as a divergence from the norm, but rather as a constant process of differing that opens up multiple ways of relating to body, mind and movement. Inspired by our explorations and encounters during the event, we are guest editing a Special Issue of Choreographic Practices. What we would like to contribute to conversations already happening in this journal is extended exploration of how disability studies and its unruly offspring, crip theory, not only critique the ableist structures that define mainstream dance, but offer alternative possibilities created by non-normative bodyminds.

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Overcoming and Denial: Disability and Modern Dance in the United States

Cited by 4 publications

References 20 publications

Aesthetic Characteristics of Dance Based on Few-Shot Learning and Neural Networks

Aesthetic Characteristics of Dance Based on Few-Shot Learning and Neural Networks

Movement’s Return: Sensations in Context

Differing bodyminds: Cripping choreography

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