Ottilies verlorenes Paradies. Zur Funktion der Allegorie in den Wahlverwandtschaften : Wieland-Brentano-Goethe

Although much prior scholarship has been focused on visuality in Goethe's novel from 1809, Die Wahlverwandtschaften, I argue that, in his novel, Goethe engages in an equally important exploration of the acoustic dimension and the voice in particular. Through representations of vocal performances such as recitation, declamation, and singing, Goethe not only reflects on the popularity of acoustic media in Geselligkeitskultur around 1800, he also explores how individual identities are negotiated and relationships formed through vocal exchanges and performances. Through a specific focus on acoustic performances by women, Goethe also investigates the relationship of gender to vocality. The comic and tragic outcomes of acoustic performances by male and female characters in the novel reveal the risky and intimate nature of vocal communication. The connection of the voice to individuality and the social is revealed most poignantly through references to the myth of Echo and Narcissus, which Goethe interweaves into the narrative of the tragic love affair between two of the main characters, Ottilie and Eduard.

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Deficit Spending and Fiscal Restraint: Balancing the Budget in Die Wahlverwandtschaften

Tantillo¹

1994

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Ottilies verlorenes Paradies. Zur Funktion der Allegorie in den Wahlverwandtschaften : Wieland-Brentano-Goethe

Cited by 3 publications

References 17 publications

Einleitung Das Experiment der Antike in der Moderne

Einleitung Das Experiment der Antike in der Moderne

Ottilie's Echo: Vocality in Goethe's Wahlverwandtschaften

Deficit Spending and Fiscal Restraint: Balancing the Budget in Die Wahlverwandtschaften

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