2020
DOI: 10.1101/2020.11.19.390062
|View full text |Cite
Preprint
|
Sign up to set email alerts
|

Oscillatory responses to generated and perceived rhythms

Abstract: Neural oscillations have been proposed as a mechanism for structure building in language and music. In music, this idea is appealing because of the intuitive mapping between perceptual and neural rhythms. The strongest evidence has come from studies in which participants listened to isochronous sequences of identical tones and were asked to imagine hearing them in binary (march) or ternary meter (waltz). The critical finding was that in addition to increased signal at the frequency corresponding to the tone ra… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2020
2020
2020
2020

Publication Types

Select...
1

Relationship

0
1

Authors

Journals

citations
Cited by 1 publication
(1 citation statement)
references
References 45 publications
(97 reference statements)
0
1
0
Order By: Relevance
“…A potential explanation for the mixed results is that Kösem et al, 2016 repeat the same word in each trial while the other studies present a large variety of words with no immediate repetitions in the stimuli. Therefore, it is possible that low-frequency word-rate neural response more strongly reflects neural processing of novel words, instead of the perception of a steady rhythm (see also Ostarek et al, 2020 ).…”
Section: Discussionmentioning
confidence: 99%
“…A potential explanation for the mixed results is that Kösem et al, 2016 repeat the same word in each trial while the other studies present a large variety of words with no immediate repetitions in the stimuli. Therefore, it is possible that low-frequency word-rate neural response more strongly reflects neural processing of novel words, instead of the perception of a steady rhythm (see also Ostarek et al, 2020 ).…”
Section: Discussionmentioning
confidence: 99%