Abstract:in this article, we experience the exercise of a screen ethnocartography in agency with the film Beasts of the southern wild (2012) by the director Benh Zeitlin. We tested a film experimentation that led to a renewed writing (our) ways of life. We bet on cinema and childhood as possibilities for creating cracks and a stutter of language for the creation of new worlds and ways of living. In cinema images less as a representation, and more as art that proposes incompleteness, fissure, a hole in appearances. In c… Show more
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