2000
DOI: 10.2307/3193827
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Oral History as Intergenerational Dialogue in Art Education

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Cited by 12 publications
(6 citation statements)
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“…or young unemployed people and older people with a physical health condition (Schindler, 1992); or children with educational needs and older people with mental or physical health difficulties (Kamei et al, 2020) or where both generations shared the same vulnerability such as a physical health condition (Macmillan-Smith 1999; Sherman, 1997); low SES (Alcock et al, 2011;Carney, 1985;Kerrigan & Stevenson, 1997;La Porte, 1999;Rogers, 1994); social isolation (Jackson et al, 2019); or multiple vulnerabilities (Barbosa et al, 2020).…”
Section: Progress Plus Characteristicsmentioning
confidence: 99%
“…or young unemployed people and older people with a physical health condition (Schindler, 1992); or children with educational needs and older people with mental or physical health difficulties (Kamei et al, 2020) or where both generations shared the same vulnerability such as a physical health condition (Macmillan-Smith 1999; Sherman, 1997); low SES (Alcock et al, 2011;Carney, 1985;Kerrigan & Stevenson, 1997;La Porte, 1999;Rogers, 1994); social isolation (Jackson et al, 2019); or multiple vulnerabilities (Barbosa et al, 2020).…”
Section: Progress Plus Characteristicsmentioning
confidence: 99%
“…Friedensohn (1997), for example, found that intergenerational interviews create space for intersubjective learning, including opportunities for younger women to learn from female elders. As such, intergenerational interviews can be a space of solidarity and consciousness raising (La Porte 2000). However, such practices may also produce romantic readings of the past and reproduce notions of elders as "repositories" of knowledge and youth as "receptacles" (Kuyken 2012;McQuaid et al 2017, 393).…”
Section: Intergenerational Family Interviewingmentioning
confidence: 99%
“…This expands not only children's ability to communicate and represent learning and identity. Their artwork becomes visual discourse representing their response to multimodal storytelling (Porte, 2000;Wessel-Powell, Kargin and Wohlwend, 2016). The children communicated, through multimodal visual discourse, their reinterpretation of what the story meant to them.…”
Section: Visual Representationsmentioning
confidence: 99%