2018
DOI: 10.1177/1469540518806956
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One of the blokes: Brewsters, branding and gender (in)visibility in New Zealand’s craft beer industry

Abstract: Beer drinking has long been valorised as a masculine performance and a social ritual. But as more women enter the craft beer industry, new opportunities emerge to reframe the cultural discourses around beer. With an interest in the stories women brewers ('brewsters') tell, we conducted interviews (n ¼ 6), and a textual analysis of brand strategies (n ¼ 10) used by women-owned beer brands in New Zealand. With an attention towards how gender identity factors into these narratives, we found that women largely rep… Show more

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Cited by 13 publications
(22 citation statements)
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References 32 publications
(67 reference statements)
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“…Thus, the article explores the performance of 'familiness' in such entrepreneurial contexts (Smith Maguire, Strickland, & Frost, 2013;Barros et al, 2017). This article therefore contributes to recent work which has foregrounded the negotiation of at times problematic interpersonal relationships both within the burgeoning craft drinks sector (Kuehn & Parker, 2018;Land, Sutherland & Taylor, 2018) and in work more generally (Ekman, 2013;Greggs, 2013;. In doing so, it adds to the increasing body of literature that explores craft labour and creative economies (Atkinson, 2013a;Luckman, 2015), whilst also adding to debates about the nature of contemporary family and kinship (Finch, 2007;Smart, 2007).…”
Section: Introductionmentioning
confidence: 96%
“…Thus, the article explores the performance of 'familiness' in such entrepreneurial contexts (Smith Maguire, Strickland, & Frost, 2013;Barros et al, 2017). This article therefore contributes to recent work which has foregrounded the negotiation of at times problematic interpersonal relationships both within the burgeoning craft drinks sector (Kuehn & Parker, 2018;Land, Sutherland & Taylor, 2018) and in work more generally (Ekman, 2013;Greggs, 2013;. In doing so, it adds to the increasing body of literature that explores craft labour and creative economies (Atkinson, 2013a;Luckman, 2015), whilst also adding to debates about the nature of contemporary family and kinship (Finch, 2007;Smart, 2007).…”
Section: Introductionmentioning
confidence: 96%
“…Narratives of 'community' also reign supreme in craft brewing, in which beer brings people together through the enjoyment of the product as well as through the cooperative spirit of brewing craft beer (Kuehn & Parker, 2018;Mathias et al, 2018). Craft brewers will often share knowledge, equipment and ingredients amongst themselves, and many view craft brewers stand united against the macrobrewers (Hindy, 2014;Mathias et al, 2018).…”
Section: Beer As Food (Redux)mentioning
confidence: 99%
“…Craft beer, similar to local and organic food, is considered a niche product and priced higher than industrially produced beer and marketed towards consumers with the financial means to purchase it and the knowledge necessary to distinguish craft beers from macrobrewed beers (McLaughlin et al, 2014). While craft beer consumers include female and racially diverse individuals, there is nonetheless a dominant white male identity that characterizes the craft brewing industry (Beckham, 2014;Carr, 2015;Kuehn & Parker, 2018). The craft brewing industry and community promote themselves as inviting and welcoming to all, although more efforts need to be made to attract and embrace a diverse consumer demographic (Beckham, 2014;Johnson, 2016).…”
Section: Beer As Food (Redux)mentioning
confidence: 99%
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