2020
DOI: 10.1016/j.apacoust.2020.107401
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On the performance of existing acoustic energy models when applied to multi-purpose performance halls

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Cited by 4 publications
(4 citation statements)
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References 22 publications
(107 reference statements)
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“…Differing from concert halls, opera houses consist of two spaces: the auditorium and the stage house. These two spaces are coupled to each other through the proscenium, which makes a description of the spatial characteristics of the sound field in an opera house more sophisticated than in a concert hall [1][2][3][4][5].…”
Section: Introductionmentioning
confidence: 99%
See 1 more Smart Citation
“…Differing from concert halls, opera houses consist of two spaces: the auditorium and the stage house. These two spaces are coupled to each other through the proscenium, which makes a description of the spatial characteristics of the sound field in an opera house more sophisticated than in a concert hall [1][2][3][4][5].…”
Section: Introductionmentioning
confidence: 99%
“…Although the significance of stage acoustics in opera halls has been underlined by many researchers [1][2][3][4][5][6]8,9], the effects of the stage on the acoustics of the auditorium are, to the knowledge of the authors, not extensively documented in the literature. Pompoli and Prodi [10] suggested a standardized setup to guide acoustical measurements in baroque theatres.…”
Section: Introductionmentioning
confidence: 99%
“…The acoustics inside these performance halls have attracted the attention of many researchers in the past few decades. There are studies on the subjective evaluations of the hall acoustics [10,11], on the effects of various indoor architectural features on the acoustical performance of the halls [12,13] and investigations focused on the prediction energy models [14], encompassing early-to-late energy balance [1].…”
Section: Introductionmentioning
confidence: 99%
“…However, many performances do not enjoy critical and public success due to inadequate acoustics, thus, there is an increasing need to find architectural solutions that consider the variable acoustic requirements depending on the different possible layouts [27]. Gao et al [28] proposed measurements of monophonic acoustic parameters based on energy in two multi-use performance spaces. Thanks to acoustic prediction software, it is possible to simulate the acoustic behavior of the theatres.…”
Section: Introductionmentioning
confidence: 99%