“…Splits in the morphosyntactic realization of objects are very common crosslinguistically as instantiations of the phenomenon labeled differential object marking (DOM; Givón 1984, Comrie 1989, Bossong 1998, Lazard 2001, Aissen 2003, de Swart 2007, López 2012, Ormazabal and Romero 2013a, Bárány 2017, Kalin 2018, Levin 2019. A typical illustration is the animacy-based object contrast in Romance (Niculescu 1965, Rohlfs 1971, Roegiest 1979, Bossong 1991, Torrego 1998, encoded via a typologically common adpositional strategy.…”