1998
DOI: 10.1080/13528165.1998.10871621
|View full text |Cite
|
Sign up to set email alerts
|

On Origins: Behind the Rituals

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2005
2005
2019
2019

Publication Types

Select...
3

Relationship

0
3

Authors

Journals

citations
Cited by 3 publications
(1 citation statement)
references
References 5 publications
0
1
0
Order By: Relevance
“…As pointed by several authors such as Monteiro and Wall (2011), traditional rituals involving elements of dance and theatre play a key role in relieving psychological distress, as well as neutralising and lessening the impact of collective trauma. Sociological and anthropologists studying Theyyam have often pointed out how the ritual serves as a cathartic release of repressed collective social tensions and frictions built into the inequality and contradictions of a caste-ridden society, by creating the ambience of a festival and evoking participatory trance (e.g., Dalrymple, 2010;Flood, 1997;George, 1998;Narayanan, 2006;Pallath, 2013). Indeed, this key feature of Theyyam brings us to an important question that guides the focus of this article-what socio-cultural and psychological functions are realised in keeping Theyyam the prerogative of the lower castes or 'untouchables', who were exploited, oppressed and enslaved to a life of deprivation by the upper castes in the social hierarchy of the society.…”
Section: Introductionmentioning
confidence: 99%
“…As pointed by several authors such as Monteiro and Wall (2011), traditional rituals involving elements of dance and theatre play a key role in relieving psychological distress, as well as neutralising and lessening the impact of collective trauma. Sociological and anthropologists studying Theyyam have often pointed out how the ritual serves as a cathartic release of repressed collective social tensions and frictions built into the inequality and contradictions of a caste-ridden society, by creating the ambience of a festival and evoking participatory trance (e.g., Dalrymple, 2010;Flood, 1997;George, 1998;Narayanan, 2006;Pallath, 2013). Indeed, this key feature of Theyyam brings us to an important question that guides the focus of this article-what socio-cultural and psychological functions are realised in keeping Theyyam the prerogative of the lower castes or 'untouchables', who were exploited, oppressed and enslaved to a life of deprivation by the upper castes in the social hierarchy of the society.…”
Section: Introductionmentioning
confidence: 99%