1977
DOI: 10.2307/465017
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Of Islands and Trenches: Naturalization and the Production of Utopian Discourse

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1992
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Cited by 83 publications
(15 citation statements)
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“…73 Importantly, then, utopias have a distinctively negative thrust: they "dissolve" and "neutralize" the world from which they depart. 74 Hence, in his interpretation of The Dispossessed, Jameson identifies the novel's narrative device as "world reduction" 75 .…”
Section: The Dispossessed As An Ambiguous Utopiamentioning
confidence: 99%
“…73 Importantly, then, utopias have a distinctively negative thrust: they "dissolve" and "neutralize" the world from which they depart. 74 Hence, in his interpretation of The Dispossessed, Jameson identifies the novel's narrative device as "world reduction" 75 .…”
Section: The Dispossessed As An Ambiguous Utopiamentioning
confidence: 99%
“…For Louis Marin (1984), the value of utopian thought is the way in which the funda-mental pun that constitutes the term "utopia" (as both outopia ["non-place"] and eutopia ["good place"]) indicates that utopianism is less about erecting a new social order than it is about the neutralization of contemporary social relations by positing an alternative set of relations. As Jameson (1988) notes:…”
Section: Anarcho-utopianism the Utopian Impulsementioning
confidence: 99%
“…We are fighting for our right to live." The aliens thus serve as a "vanishing mediator" (Jameson 1988b;2izek 1993,226-37) between the fragmentary, alienated condition of our own present and the state of collective unity the film invites us to imagine will exist after they have been vanquished, a unity that will continue if in nothing else in the concerted global Marshall Plan that will be required to clean up the mess created by this intergalactic war. That is, once they have performed the task of dissolving the unbearable stasis of the past, the aliens, along with the threatening open-ended messianic possibilities they embody, must disappear.…”
mentioning
confidence: 96%
“…Moreover, it has long been a central part of the heritage of Marxist cultural criticism to illuminate the spectral traces of this power in all kinds of cultural documents and forms, as well as to make us aware of the constitutive unevenness (ungleichzeitigkeit) of history-what Derrida labels the hauntology disrupting the desire for ontology. In addition to the work of Benjamin and Derrida, I would point to the related texts of Louis Marin (1984Marin ( ,1993, Jameson (1981Jameson ( , 1984Jameson ( , 1988aJameson ( , 1988bJameson ( , 1994 and, most important of all, Ernst Bloch (1986Bloch ( , 1988. With these critics I mean to emphasize exactly how widely felt in the present are the desires that Derrida and Benjamin label the messianic.…”
mentioning
confidence: 98%