Of Ghosts'(In)ability to Haunt: &gt;Polish Dybbuks&lt;

Dziuban, Zuzanna

doi:10.1515/9783839436295-006

Cited by 4 publications

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“…The Gothic doubling in Demon troubles gender binarism, as a female spirit (doubly Othered as Jewish and female) invades a male body (also marked as Other because of his ambiguous roots) 1 Zuzanna Dziuban, in her insightful essay on the instrumentalization of the dybbuk trope in Polish narratives about the Holocaust and its aftermath, highlights the often unreflective use of Jewish ghosts to assuage Polish guilt, discuss Polish (rather than Jewish) trauma, and accentuate Polish sensibility and sense of righteousness, which effectively evacuates dybbuk of its cultural and historical specificity, its Jewishness. See (Dziuban 2019b). in order to be finally given a voice.…”

Section: Introductionmentioning

confidence: 99%

Dis/Possessing the Polish Past in Marcin Wrona’s Demon

Kotwasińska

2020

Humanities

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The article examines how Marcin Wrona’s Demon (2015) reworks the Jewish myth of a dybbuk in order to discuss how and to what extent a spectral haunting may disrupt acts of collective forgetting, which are in turn fueled by repression, repudiation, and ritualized violence. A part of a revisionist trend in Polish cinema, Demon upsets the contours of national affiliations, and in doing so comments on the problematic nature of memory work concerning pre- and postwar Polish–Jewish relations. Because the body possessed by a female dybbuk is foreign and male, the film also underlines gendered aspects of possession, silencing, and story-telling. The article draws on Gothic Studies and horror cinema studies as well as Polish–Jewish studies in order to show how by deploying typical possession horror tropes Wrona is able to reveal the true horror—an effective erasure of the Jewish community, an act that needs to be repeated in order for the state of historical oblivion to be maintained.

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Section: Introductionmentioning

confidence: 99%