1997
DOI: 10.1080/00909889709365477
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Obscenity law and sexually explicit rap music: Understanding the effects of sex, attitudes, and beliefs

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Cited by 27 publications
(30 citation statements)
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“…It is plausible that images in these videos (including female body images) may vary in order to appropriately reflect the particular theme. For example, because women are often objectified in videos that focus on sexual themes and pleasure (e.g., Dixon and Linz 1997), thin ideals may be more likely to occur in such contexts. On the other hand, in videos that focus on political themes, rap music may serve as a vehicle to challenge oppressive conditions, and to practice Black activism by resisting white supremacy and sexual stereotypes.…”
Section: Rap Music Videos and Themes In Rap Musicmentioning
confidence: 98%
See 1 more Smart Citation
“…It is plausible that images in these videos (including female body images) may vary in order to appropriately reflect the particular theme. For example, because women are often objectified in videos that focus on sexual themes and pleasure (e.g., Dixon and Linz 1997), thin ideals may be more likely to occur in such contexts. On the other hand, in videos that focus on political themes, rap music may serve as a vehicle to challenge oppressive conditions, and to practice Black activism by resisting white supremacy and sexual stereotypes.…”
Section: Rap Music Videos and Themes In Rap Musicmentioning
confidence: 98%
“…Rap music was born out of slave spirituals, blues, jazz and "soul" as a musical expression of African American traditions (Rose 1994;Zillmann et al 1995). According to Dixon and Linz (1997), this tradition has been passed down to contemporary African American youth and contains cultural elements such as "toasting," "signifying," and "playing the dozens. "…”
Section: Rap Music Videos and Themes In Rap Musicmentioning
confidence: 98%
“…Johnson and his colleagues note their results "suggest a unique vulnerability of Blacks" (p. 248), wherein Blacks respond in stereotypic ways to media portrayals of Blacks as much as Whites do. Similarly, Dixon and Linz (1997) found that a racially mixed group of college students interpreted a highly sexually explicit Rap song as more patently offensive than an equally sexually explicit non-Rap song. SCT's social prompting effects together with the aforementioned studies suggest stereotypical gender roles in Rap music support and reinforce beliefs about a demonized Black sexuality (Dixon and Linz 1997) already common in the U.S.…”
Section: Discussionmentioning
confidence: 94%
“…Perhaps the most comprehensive review of work on rock music content can be found in Christensen and Robert's [16] compendium, It's not only rock and roll, which provides a good starting point for review (and critique) of empirical evidence, one that can help determine whether the high burden for government regulation [18] has been met. The main points of that volume were aptly summarized in Robert's [19] testimony before Congress:…”
Section: Rock Music Contentmentioning
confidence: 99%
“…Similarly, Dixon and Linz [18] examined the impact of rap music on sex, attitudes and beliefs. Utilizing an experimental design (n = 172 college students), the authors discovered a significant positive correlation (r = 0.3) between exposure to rap and antisocial attitudes.…”
Section: Rock Music Uses and Effectsmentioning
confidence: 99%