Abstract:O artigo discute neurocomputação da performatividade, propondo os conceitos de: tarefas operacionais dirigidas por biosinais, procedimentos dirigidos por biosinais, e Olhar Investigativo, inspirados nas obras de M. Ortiz e E. Konijn, M. Kirby, R. Schechner e E. Fischer-Lichte, S. Pinker e A. Damásio. A performance Objeto Descontínuo (2013) exemplifica o uso poético de um Eletroencefalograma (Emotiv) como Interface Cérebro-Computador (ICC) para a criação de Dramaturgia Digital.
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