2020
DOI: 10.1109/taffc.2018.2820691
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Novel Audio Features for Music Emotion Recognition

Abstract: This work advances the music emotion recognition state-of-the-art by proposing novel emotionally-relevant audio features. 5We reviewed the existing audio features implemented in well-known frameworks and their relationships with the eight commonly 6 defined musical concepts. This knowledge helped uncover musical concepts lacking computational extractors, to which we propose 7 algorithms -namely related with musical texture and expressive techniques. To evaluate our work, we created a public dataset of 900 8 au… Show more

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Cited by 120 publications
(119 citation statements)
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References 27 publications
(33 reference statements)
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“…Hidden Markov models (HMMs) were used in [9] for detecting glissando and in [7] to recognise portamento. Rule-based features introduced in [10] were specifically for glissando detection. Patterns of regularity across playing techniques motivate us to build a generic model for music playing technique recognition.…”
Section: Introductionmentioning
confidence: 99%
“…Hidden Markov models (HMMs) were used in [9] for detecting glissando and in [7] to recognise portamento. Rule-based features introduced in [10] were specifically for glissando detection. Patterns of regularity across playing techniques motivate us to build a generic model for music playing technique recognition.…”
Section: Introductionmentioning
confidence: 99%
“…In addition, considering up to 190 emotion classes makes it difficult to carefully investigate the dependency between emotions and song highlights. In the future, we hope to validate the emotion labels with human validation (e.g., as Panda et al (2018) did), and to reduce the number of emotion classes to facilitate in-depth analysis. For example, depending on the emotion a song tries to express, the highlight of the song may not be the chorus but somewhere else.…”
Section: Discussionmentioning
confidence: 99%
“…However, computational methods for music emotion recognition have tended to favor certain features over others (e.g., timbre accounting for over 60%; Yang et al, 2019 ). Recently, researchers have begun to develop software packages for emotion recognition in music, which include fine-grained features such as specific textural shifts and articulations (Panda et al, 2018 ). Such software could provide important contextual affective information in existing joint music-making paradigms.…”
Section: The Future: Emerging Data Sources and Analysesmentioning
confidence: 99%