Abstract:Felix Mendelssohn and Paul Hindemith, composing about one hundred years apart, integrated visual elements, including drawings and illustrated notations, into musical manuscripts they designed as gifts for women they admired. The two documents, illustrating Mendelssohn’s Schilflied (1842) and Hindemith’s Ludus Tonalis (1942), are strong declarations of compositional and artistic ideology. This article examines the scores as reflecting, respectively, aspects of nineteenth-century and early twentieth-century co… Show more
a Research and Information Guide, 2nd edn (New York: Routledge, 2009), ISBN 978 0 415 99416 3 (hb) SIMON DESBRUSLAIS twentieth-century music / Volume 8 / Issue 02 /
a Research and Information Guide, 2nd edn (New York: Routledge, 2009), ISBN 978 0 415 99416 3 (hb) SIMON DESBRUSLAIS twentieth-century music / Volume 8 / Issue 02 /
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