2019
DOI: 10.12975/pp2122-2148
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Notanın otoritesi, otoritenin notası: Türkiye’de nota-merkezli resmî halk müziğinin yapısökümü

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Cited by 5 publications
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“… 22 As Özdemir (2019) argues, the designation of ‘la’ as the modal tonic or ‘decision’ tone is an outcome of early Republican-period debates and efforts to create a national written standard for the notation of Turkish folk music using the Western staff system, and as such has no direct relationship to Alevism. My point here is not that Alevis’ association of the modal tonic and corresponding fret on the saz with Ali influenced the modern designation of the modal tonic as karar la .…”
mentioning
confidence: 99%
“… 22 As Özdemir (2019) argues, the designation of ‘la’ as the modal tonic or ‘decision’ tone is an outcome of early Republican-period debates and efforts to create a national written standard for the notation of Turkish folk music using the Western staff system, and as such has no direct relationship to Alevism. My point here is not that Alevis’ association of the modal tonic and corresponding fret on the saz with Ali influenced the modern designation of the modal tonic as karar la .…”
mentioning
confidence: 99%