Abstract:In order to consider the materiality of Victor Grippo’s artwork Energía de una papa (1972) more comprehensively than has thus far been the case, the specific characteristics of this case study are initially discussed against the background of the relationship between materiality and conceptual art. In a further step, the artwork’s agency is questioned, and it is regarded in the context of positions within new materialism. This is done by utilizing certain aspects of Karen Barad’s concept of “agential realism” … Show more
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