2012
DOI: 10.1353/chl.2012.0023
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Not Exactly: Intertextual Identities and Risky Laughter in Sherman Alexie’s The Absolutely True Diary of a Part-time Indian

Abstract: Sherman Alexie’s The Absolutely True Diary of a Part-time Indian does not exactly fit theories of reading, identity, and authenticity often cited in scholarship on children’s literature by and about Native Americans. Examining the novel’s multiple intertextual identities and the risky laughter of Ellen Forney’s illustrations, I situate its radical potential in Thomas King’s theory of reading.

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Cited by 7 publications
(2 citation statements)
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“…One of important aspects in Alexie's work is humor. For Alexie, humor functions as his "green card" or his way of getting people's attention (Kertzer, 2012).…”
Section: Introductionmentioning
confidence: 99%
“…One of important aspects in Alexie's work is humor. For Alexie, humor functions as his "green card" or his way of getting people's attention (Kertzer, 2012).…”
Section: Introductionmentioning
confidence: 99%
“…Some postcolonial critics argue that often the usage of the term "authentic" is unproductive because in practice 'authenticity' can easily perpetuate stereotypes. For example, Clare Bradford writes "that the discourse of authenticity too easily invokes concepts of 'pure' or 'full-blood'" (as cited in Kertzer, 2012) thereby adopting reductive colonial categories. Thomas King "is also wary of the dangers of authenticity, calling it a 'racial reality game that contemporary Native people are forced to play'" (as cited in Kertzer, 2012, p. 70).…”
mentioning
confidence: 99%