2017
DOI: 10.1016/j.cub.2017.06.035
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Northern Elephant Seals Memorize the Rhythm and Timbre of Their Rivals’ Voices

Abstract: The evolutionary origin of rhythm perception, a cognitive ability essential to musicality, remains unresolved [1-5]. The ability to perceive and memorize rhythmic sounds is widely shared among humans [6] but seems rare among other mammals [7, 8]. Although the perception of temporal metrical patterns has been found in a few species, this ability has only been demonstrated through behavioral training [9] (but see [10] for an example of spontaneous tempo coordination in a bonobo), and there is no experimental evi… Show more

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Cited by 46 publications
(64 citation statements)
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References 34 publications
(48 reference statements)
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“…C. perspicillata sequences are shorter than 1 second and show a constant tempo, which would make the GAT approach the most suitable one. To give possible acoustic signal types for other paths, depending on the data might be from left to right in Fig 7: short call sequences of rodents, for example ultrasonic pulses of Typhlomus chapensis [42]; for sequences with a higher probability for individual differences that are above 1 second in duration and show a constant tempo one could think of male zebra finch song [5] or the vocalization sequences of pinnipeds such as the Northern elephant seal [6]. For a sequence with a changing tempo, one might think of a territorial song of some bat species that escalate and increase the tempo in the end [43][44][45].…”
Section: Discussionmentioning
confidence: 99%
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“…C. perspicillata sequences are shorter than 1 second and show a constant tempo, which would make the GAT approach the most suitable one. To give possible acoustic signal types for other paths, depending on the data might be from left to right in Fig 7: short call sequences of rodents, for example ultrasonic pulses of Typhlomus chapensis [42]; for sequences with a higher probability for individual differences that are above 1 second in duration and show a constant tempo one could think of male zebra finch song [5] or the vocalization sequences of pinnipeds such as the Northern elephant seal [6]. For a sequence with a changing tempo, one might think of a territorial song of some bat species that escalate and increase the tempo in the end [43][44][45].…”
Section: Discussionmentioning
confidence: 99%
“…Moreover, the first instance for a biologically relevant rhythm in non-human mammalian acoustic signals was found in the northern elephant seal, where males can discriminate between familiar and unfamiliar male opponents using the temporal structure of vocalizations. Rhythms apparently differ between individuals in a way that facilitates the discrimination of individuals [6].…”
Section: Elementmentioning
confidence: 99%
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“…Provided the trade-offs with aerial hearing it seems that underwater hearing should be of significant to the animals, which have been demonstrated to be able to detect acoustic signals at relatively low signal-to-noise ratios (Southall et al, 2000). Recently, northern elephants seals have been demonstrated to routinely memorize and recognize the unique tempo and timbre of other animal's voices and use this rhythmic information to individually identify them (Mathevon et al, 2017). This is the first demonstration of the capacity for individual mammalian identification involving sound rhythm, and provides evidence of the significance of sound and auditory skills of northern elephant seals.…”
Section: Discussionmentioning
confidence: 99%
“…Like cetaceans, pinnipeds have sensitive underwater hearing; their full hearing range extends from a few hundred Hz to 70–80 kHz (Cunningham & Reichmuth, ; Hemilä, Nummela, Berta, & Reuter, ). They rely on sound for communication (Mathevon, Casey, Reichmuth, & Charrier, ; Van Parijs, Hastie, & Thompson, ), predator detection (Deecke, Slater, & Ford, ), and possibly also for navigation and listening for prey (Schusterman, Levenson, Reichmuth, & Southall, ). Pinnipeds have been found to respond strongly to underwater tone pulses at 8–45 kHz in captivity (Götz & Janik, ; Kastelein et al, ; Kastelein, Heul, Terhune, Verboom, & Triesscheijn, ; Kastelein, Heul, Verboom, Triesscheijn, & Jennings, ) and to sounds from seismic surveys (Harris, Miller, & Richardson, ) and pile driving (Russell et al, ) in the wild.…”
Section: Introductionmentioning
confidence: 99%