Non-destructive and non-invasive analyses shed light on the realization technique of ancient polychrome prints

Striová, Jana; Coccolini, Gabriele; Micheli, S.; Lofrumento, Cristiana; Galeotti, Monica; Cagnini, Andrea; Castellucci, E.

doi:10.1016/j.saa.2008.10.031

Cited by 12 publications

(11 citation statements)

References 23 publications

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“…The microchemical observation using ESEM-EDX technique has provided several images of the main pigments used for the decoration (Figs. [3][4][5]. The pigments were also evident under the Raman microscope, as shown in Figs.…”

Section: Pigmentsmentioning

confidence: 80%

“…5e (sample GEVO2), where halite coparticipates. The EDS analysis of nitratine found in sample GEVO1 revealed contents of Na 2 O and NO 3 14.62% and 55.61%, respectively (Table 3).…”

Section: Efflorescing Saltsmentioning

confidence: 99%

“…Characteristic images of cinnabar particles are shown in Figs. 3a (cross sectional sample) and 4a (sample GEVO16), with the EDX analysis showing composition of HgO 49.5% and SO 3 28.95% ( Table 2). The Raman spectra and microscopic view under Raman microscope of cinnabar are shown in Fig.…”

Section: Pigmentsmentioning

confidence: 99%

“…The employment of interdisciplinary analytical techniques for such analyses is a common practice nowadays, using both destructive and nondestructive analytical methods, e.g. optical microscopy, scanning electron microscope (SEM/EDX), infra-red spectroscopy (FTIR), Raman micro-spectroscopy, thermal analysis (DSC/TGA/DTA), Xray diffraction (XRD) and other techniques [1][2][3].…”

Section: Introductionmentioning

confidence: 99%

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Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts

Iordanidis

García-Guinea

Strati³

et al. 2011

Spectrochimica Acta Part A: Molecular and Biomolecular Spectros

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Section: Pigmentsmentioning

confidence: 80%

“…5e (sample GEVO2), where halite coparticipates. The EDS analysis of nitratine found in sample GEVO1 revealed contents of Na 2 O and NO 3 14.62% and 55.61%, respectively (Table 3).…”

Section: Efflorescing Saltsmentioning

confidence: 99%

Section: Pigmentsmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

See 2 more Smart Citations

Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts

Iordanidis

García-Guinea

Strati³

et al. 2011

Spectrochimica Acta Part A: Molecular and Biomolecular Spectros

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“…5 Blue color ATR-FTIR spectrum (Fig. 8) shows band at 2087 cm À1 , which is characteristic for Prussian blue [10,12,44]. FESEM micrograph (Fig.…”

Section: Gray Colormentioning

confidence: 97%

Analytical study of Saint Gregory Nazianzen Icon, Old Cairo, Egypt

Issa

Abdel-Maksoud

Magdy

2015

Journal of Molecular Structure

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Raman analysis assessed by Fourier‐Transformed infrared and X‐ray fluorescence spectroscopies: a multi‐analytical approach of ancient chromolithographs from the 19th century

Pitarch

Álvarez-Pérez

Castro

et al. 2011

J Raman Spectroscopy

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A set of chromolithographs from the 19th century were analysed to identify the fillers and pigments used for their elaboration. Because of the delicacy of the chromolithographs, the research involved the use of Raman, Fourier‐transform infrared and energy dispersive X‐ray fluorescence spectroscopies for a complete characterization of the works on paper without removing any microsamples. Despite the high fluorescence of the samples when analyzed by Raman spectroscopy, in this paper, we demonstrated that ink spectra can be successfully enhanced by subtracting the spectra of the supporting background paper. The results of the study showed that, apparently, the lithographer used a limited range of common inorganic pigments from the 19th century (carbon black, chrome yellow, Prussian blue, red ochre, red lead and vermilion) together with organic pigments (indigo blue, gamboge and a red organic pigment). The study also found that despite the fact that during the 19th and early 20th century the use of mixtures of several pigments was a common practice, unusual admixtures were used for the preparation of some colours of the studied chromolithographs. Copyright © 2011 John Wiley & Sons, Ltd.

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Non-destructive and non-invasive analyses shed light on the realization technique of ancient polychrome prints

Cited by 12 publications

References 23 publications

Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts

Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts

Analytical study of Saint Gregory Nazianzen Icon, Old Cairo, Egypt

Raman analysis assessed by Fourier‐Transformed infrared and X‐ray fluorescence spectroscopies: a multi‐analytical approach of ancient chromolithographs from the 19th century

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