Nollywood across Languages Issues in Dubbing and Subtitling

Abstract

The language of Nigerian video films, its choice, and those of subtitling and dubbing, have long escaped scrutiny, and only attracted scholars’ attention within the past ten years. The present study, based on the analysis of 19 films in English, French, Dutch, Igbo and Yoruba and on data gathered from three personal surveys and interviews dated 2009, 2012 and 2013, seeks to add to this burgeoning field by considering whether the language issue hinders the reception of Nigerian films outside their linguistic area, and surveying what has been done so far in that regard. Its findings first reveal that, while European audiences seem to prefer dubbing, Africans opt for subtitling; they also confirm that in the end, the true success of Nigerian films, whether subtitled or dubbed, will be measured in the way they cut across cultures, not just languages.

Phytochemical analysis of some selected aquatic macrophytes of Holalkere, Chitradurga District, Karnataka

“…Because of these pharmaceutical industries as well as researchers put a greater emphasis on phytochemical studies. Also, these phytochemicals present in the different plant parts are used up by the local people for the healing of certain disorders (Ugochukwu et al, 2013).…”

International Film and Audio-Visual Translation - Intercultural Experience as Moderator in Audience Recall and Enjoyment

“…Methods of language and cultural translation are becoming more important to a broader range of peoples. What was once primarily the concern of moving image distributors and audiences in Europe and other locales with diverse language bases (and with, by the way, clearly drawn national preferences for subtitling vs. dubbing (Kilborn 1993;Szarkowska 2005;Ugochukwu 2013)) is moving inexorably into the general American audience's field of view.…”