Nilai Filosofis Peralatan Tradisional Terhadap Karakter Perempuan Jawa  dalam Pandangan Masyarakat Pesisir Utara Jawa Tengah

Suryadi, M.

doi:10.14710/nusa.13.4.567-578

Cited by 2 publications

(4 citation statements)

References 1 publication

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“…It also only has one door with the sole purpose of entering and removing the rice. [14] As seen in Figure 1, the leuit building has a bottom (pit), body, and roof. At the bottom or the pit, the leuit pole is supported by flat stones (a symbol of the earth).…”

Section: Resultsmentioning

confidence: 99%

“…All these straight and hard shapes are symbols of a male character. [14] And it is indeed true that saung lisung is consumptive in nature, that is because it's releasing rice from the skin so that rice can be cooked into edible rice for consumption. [9]lisung is made into an elongated shape which has a tritangtu pattern as well.…”

Section: Lisungmentioning

confidence: 99%

“…Lisung is used to process rice into edible rice, and saung lisung with its properties and uses represent lampah. [14] The bale, which is used as a place to gather, cook and serve food, represents the symbol of the word as the middle sineger. Even if leuit, lisung, and bale are examined separately, as previously stated, each still accommodates the tritangtu concept's values.…”

Section: Biographical Criticism Analysismentioning

confidence: 99%

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Tritangtu Philosophy in Leuit, Lisung and Bale as a Sundanese Cultural Artefact

Asegap

Putra²

2021

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Tritangtu is a Sundanese philosophy of life that means harmony. The main core of the Tritangtu concept focuses on the harmony built by the middle sineger, which can be translated as the middle way or solution between the opposing or contradictory dualities. Sundanese cultural artefacts are produced by the ethnic Sundanese people who have a specific purpose based on the thought they profess, tritangtu. lisung and bale are the Sundanese cultural artefacts that carry tritangtu’s values. This study aims to analyze and discover the concept of tritangtu contained in leuit, lisung and bale, which are the example of Sundanese cultural artefacts that contain the concept of tritangtu. And to prove that the Sundanese ethnic community implements the tritangtu concept in various aspects of life, one of them is in the manufacture of field furniture. The descriptive qualitative method is used to study the tritangtu philosophy, a belief held by the Sundanese ethnic community. Robert Stecker’s biographical criticism model approach method is also used to study the actual intentionalism and work meaning. The actual intentionalism method consists of two models, biographical criticism and proper aim. Artefacts of the Sundanese cultural Objects that are used to meet daily needs and fulfil functional aspects also accommodate systems of symbolic and philosophical meaning that contain life instructions for the Sundanese ethnic community. Sundanese identity is not just about its cultural products but the Sundanese way of working and thinking in creating cultural products. Sundanese people created Sundanese cultural products based on their belief in the tritangtu philosophy (lampah, ucap, and tekad)

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Section: Resultsmentioning

confidence: 99%

Section: Lisungmentioning

confidence: 99%

Section: Biographical Criticism Analysismentioning

confidence: 99%

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Tritangtu Philosophy in Leuit, Lisung and Bale as a Sundanese Cultural Artefact

Asegap

Putra²

2021

ICOBEST

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“…Peralatan dapur tradisional ini memiliki sejarah yang cukup panjang, sepanjang sejarah manusia itu sendiri (Suranny, 2014). Pembuatannya pun memiliki proses yang cukup panjang dan setiap alat memiliki karakter yang berbeda-beda, sehingga keberadaanya pun perlu dilestarikan (Suryadi, 2018).…”

Section: Pendahuluanunclassified

Potret Kekuatan Perempuan Jawa dalam Bingkai Peralatan Tradisional Masyarakat Jawa Pesisir Melalui Analisis Peran Semantis

Suryadi

2019

Nusa

Self Cite

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This study is aimed to describe the strength of Javanese women in regulating the rhythms of family life. Strength in the form of tenacity and persistence of Javanese women is captured on the symbol of traditional equipment. The symbol of this equipment is stored in the traditional Javanese kitchen. This symbol contains components of material, function, and Javanese philosophy. The method of the research was descriptive qualitative, raising the phenomena of traditional equipment in the life of Javanese women. The method of data collection was by observation, in-depth interviews and demonstration activities. The analytical method used in this research was to decompose the components of the lingual units which are aligned on the standard equipment. The method used to explain the menaning was by the semantic equivalent and analogy.The findings of the research are the novelty of the method, namely the method of interpreting components based on semantic analogies. It was found the strength of Javanese female characters in traditional equipment symbols through understanding concepts and referents. The analysis of the semantic role is able to reveal the relationships of the concepts of the noble values of Javanese culture in the functions of traditional equipment.

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Nilai Filosofis Peralatan Tradisional Terhadap Karakter Perempuan Jawa dalam Pandangan Masyarakat Pesisir Utara Jawa Tengah

Cited by 2 publications

References 1 publication

Tritangtu Philosophy in Leuit, Lisung and Bale as a Sundanese Cultural Artefact

Tritangtu Philosophy in Leuit, Lisung and Bale as a Sundanese Cultural Artefact

Potret Kekuatan Perempuan Jawa dalam Bingkai Peralatan Tradisional Masyarakat Jawa Pesisir Melalui Analisis Peran Semantis

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