2005
DOI: 10.1111/j.1755-6333.2005.tb00016.x
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New York as a "Passing Stranger" in The Beautiful and Damned

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Cited by 7 publications
(8 citation statements)
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“…Furthermore, we conducted a reference analysis of the latest published articles satisfying the study selection criteria (e.g. Martin et al 2014;Van den Bergh, Schmitt, and Warlop 2011;Wansink, Soman and Herbst 2017), followed by a citation analysis of articles discussing the invention of the shopping cart (Cochoy 2009;Grandclément 2009), and the role of carts in shaping exchanges in supermarkets (Cochoy 2008). One researcher independently screened titles and abstracts of retrieved articles for eligibility.…”
Section: Scope Of the Literature Review And Review Resultsmentioning
confidence: 99%
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“…Furthermore, we conducted a reference analysis of the latest published articles satisfying the study selection criteria (e.g. Martin et al 2014;Van den Bergh, Schmitt, and Warlop 2011;Wansink, Soman and Herbst 2017), followed by a citation analysis of articles discussing the invention of the shopping cart (Cochoy 2009;Grandclément 2009), and the role of carts in shaping exchanges in supermarkets (Cochoy 2008). One researcher independently screened titles and abstracts of retrieved articles for eligibility.…”
Section: Scope Of the Literature Review And Review Resultsmentioning
confidence: 99%
“…Each alternative has its own volume limit that provides a constraint on how much the consumer can buy. By making baskets available, the store expands the shopping capacity of consumers who do not want to shop with a cart (Cochoy 2008).…”
Section: Attractiveness and Incentivesmentioning
confidence: 99%
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“…However, while Dos Passos moves from one neighborhood and one social class to another, thus giving a very broad view of the city, Fitzgerald mostly concentrates on rich areas and wealthy people—even though Anthony and Gloria's dwelling‐places in New York illustrate their social downfall: “[T]he couple leave the luxurious apartment on 52nd Street between Fifth and Sixth Avenue, in order to settle in the ‘gray house’ … of Marietta, in the suburbs, before returning to Manhattan, where they rent an apartment on Claremont Avenue, in the ‘dim hundreds’ … peopled by immigrants” (Cochoy 71). The very first evocation of New York in the novel seems to play a programmatic role in several respects: “Fifth and Sixth Avenues, it seemed to Anthony, were the uprights of a gigantic ladder stretching from Washington Square to Central Park” (14).…”
Section: A Cubist Painting With a Jazz Rhythmmentioning
confidence: 99%
“… Cf. Cochoy: “As an analysis of the lovers' first kiss will show, Fitzgerald's text has a self‐reflexive value. Quite significantly, the expression of the characters' desire unveils the blend of realism and fantasy that governs both the author's artistic approach to the city and the actual elusiveness of the city itself” (67). …”
mentioning
confidence: 99%