Abstract:This article investigates engagement with propagandist TikTok videos shortly after Russia’s invasion of Ukraine on February 24, 2022, with particular attention to the role of music and comments. By repurposing the infrastructure of TikTok sound-linking, our research upholds sensitivity to how this infrastructure enables affective and participatory workings of propaganda. We develop the notion of networked masterplots based on a situated analysis of how a specific sound, occasionally used in combination with pr… Show more
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