2006
DOI: 10.1353/ort.2006.0014
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Neoanalysis, Orality, and Intertextuality: An Examination of Homeric Motif Transference

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Cited by 70 publications
(9 citation statements)
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“…Building on Most's 'temporalized intertextuality', Clay (2003), 6, treats both poems as 'fundamentally complementary and interdependent', going so far as to speculate that 'from the beginning Hesiod conceived of the poems as a diptych, and as he composed, he continually revised and reworked the one in the light of the other'. On intertextuality within an oral poetic tradition, see also Burgess (2006), Tsagalis (2008), Bakker (2013), 157-69, andLoney (2014).…”
Section: Prometheus and Iron-age Manmentioning
confidence: 99%
“…Building on Most's 'temporalized intertextuality', Clay (2003), 6, treats both poems as 'fundamentally complementary and interdependent', going so far as to speculate that 'from the beginning Hesiod conceived of the poems as a diptych, and as he composed, he continually revised and reworked the one in the light of the other'. On intertextuality within an oral poetic tradition, see also Burgess (2006), Tsagalis (2008), Bakker (2013), 157-69, andLoney (2014).…”
Section: Prometheus and Iron-age Manmentioning
confidence: 99%
“…6.3.9) and an Etruscan bronze mirror from Vulci, where he is depicted as examining the liver of a sacrificial victim point in the same direction. 19 As pointed out in Burgess (2009) 61. See also Burgess (2006).…”
mentioning
confidence: 94%
“…19 As pointed out in Burgess (2009) 61. See also Burgess (2006). Brought to you by | Nanyang Technological University Authenticated Download Date | 6/9/15 5:45 AM cratic versions, Odysseus' lying stories providing the closest parallel.…”
mentioning
confidence: 94%
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“…La Neoanalisi, avvicinandosi alla teoria oralista, ha rinunciato all'insistenza sul rapporto di omero con testi ben definiti, accentuando invece il fatto che i poemi omerici condividano con i poemi del Ciclo una tradizione posta a monte senza che vi debba essere contatto diretto (cf. Kullmann 1984, Burgess 2006, Montanari 2012, Cerri 2002. Fondamentale è la visione di omero come «metaciclico» (Burgess 2006, p. 149), ovvero come manifestazione poetica eccezionale che prevede una profonda elaborazione del mito che sta alla sua base, seguito invece più fedelmente dal Ciclo (criterio naturalmente valido in generale e non in tutti i singoli casi ti.…”
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