Abstract:Two distinguishing features of the graphic narrative as a medium—its use of frames and its hybrid combination of words with images—inform a reading of Simon Schwartz's 2009 Drüben!, a work that thematizes his family's experiences in the German Democratic Republic. In popular culture, the memory of the GDR tends to be structured around binary oppositions; characters, for instance, are regularly depicted as either perpetrators or victims while the historical period as a whole is often approached either nostalgic… Show more
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