Abstract:In May 1967, at the bottom of a page in a book by Gershom Scholem, Celan jotted down three lines in Yiddish. This note, which alludes to a poem by Moyshe‐Leib Halpern, is the predecessor to “Nah, im Aortenbogen.” The poem, completed while Celan was intensely preoccupied with his meeting with Martin Heidegger, expressed his poetic reaction to Heidegger and Scholem, a sense that between the German and the German‐Jewish an ironic fissure might divide the wall of words. Confronting Scholem's return to Kabbalah (an… Show more
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