2020
DOI: 10.1111/phc3.12649
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Naturalism and the philosophy of colour ontology and perception

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(2 citation statements)
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“…Under contemporary usage, “secondary” qualities are those that are mind‐dependent, with color being the prime example. In light of this, color ontology has become a major topic in its own right in the philosophy of perception (Chirimuuta, 2020), and it is not unusual to develop theories of color ontology that are then generalized to other, non‐visual examples of secondary qualities like musical pitch or odors (e.g., Isaac, 2014). Some material properties may be secondary qualities as well.…”
Section: Materials and Puzzles Of Perceptionmentioning
confidence: 99%
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“…Under contemporary usage, “secondary” qualities are those that are mind‐dependent, with color being the prime example. In light of this, color ontology has become a major topic in its own right in the philosophy of perception (Chirimuuta, 2020), and it is not unusual to develop theories of color ontology that are then generalized to other, non‐visual examples of secondary qualities like musical pitch or odors (e.g., Isaac, 2014). Some material properties may be secondary qualities as well.…”
Section: Materials and Puzzles Of Perceptionmentioning
confidence: 99%
“…Minimally, gloss perception can also modulate color constancy (Granzier et al., 2014; Wedge‐Roberts et al., 2020), which theories of color ontology may also need to take stock of as has been the case for color science (Maloney & Brainard, 2010; cf. Chirimuuta, 2020). But more provocatively, it is notable that colorfulness is often treated as itself a material property that is diagnostic of material type (e.g.…”
Section: Materials and Puzzles Of Perceptionmentioning
confidence: 99%