2003
DOI: 10.1073/pnas.2036361100
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Natural scene statistics as the universal basis of color context effects

Abstract: The color context effects referred to as color contrast, constancy, and assimilation underscore the fact that color percepts do not correspond to the spectral characteristics of the generative stimuli. Despite a variety of proposed theories, these phenomena have resisted explanation in a single principled framework. Using a hyperspectral image database of natural scenes, we here show that color contrast, constancy, and assimilation are all predicted by the statistical organization of spectral returns from natu… Show more

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Cited by 40 publications
(23 citation statements)
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References 23 publications
(19 reference statements)
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“…Beck, 1966;De Weert, 1984;De Weert and Spillmann, 1995;Dresp and Fischer, 2001;Gerrits and Vendrik, 1970;Heinemann, 1955;Helson, 1963;Pinna, 2008;Shapley and Reid, 1985) or color context effects (e.g. Long and Purves, 2003;Reeves et al, 2008;Shevell and Kingdom, 2008). Observing how colors placed side by side or surrounding each other change in appearance according to which color is put next to which other, Chevreul suggested how they needed to be displayed in space to produce specific effects on the perception of the human observer.…”
Section: Introductionmentioning
confidence: 99%
“…Beck, 1966;De Weert, 1984;De Weert and Spillmann, 1995;Dresp and Fischer, 2001;Gerrits and Vendrik, 1970;Heinemann, 1955;Helson, 1963;Pinna, 2008;Shapley and Reid, 1985) or color context effects (e.g. Long and Purves, 2003;Reeves et al, 2008;Shevell and Kingdom, 2008). Observing how colors placed side by side or surrounding each other change in appearance according to which color is put next to which other, Chevreul suggested how they needed to be displayed in space to produce specific effects on the perception of the human observer.…”
Section: Introductionmentioning
confidence: 99%
“…Moreover, various uncertainties typically render results suspect to various degrees (e.g., reflectances near zero or unity are largely useless [5]). Recent attempts at the empirical determination of such prior statistics [6][7][8] reveal non-trivial non-uniformities. The heroic attempt by Philipona and O'Regan [8] is especially interesting, as it reveals highly specific structure.…”
Section: Introductionmentioning
confidence: 99%
“…Relating scene statistics to coding in the visual cortex has led to the fruitful concept of sparse coding (Olshausen and Field 1996) or to the characterization of V1 simple cells as independent components in natural scenes (Bell and Sejnowski 1997). In addition, various psychological and physiological effects have been explained by adaptation to scene statistics, such as the oblique effect (Boltz et al 1979;Coppola et al 1998), its inversion for broadband stimuli Hansen et al 2003), distance-size illusions (Howe and Purves 2002), and some aspects of color constancy (Golz and MacLeod 2002;Long and Purves 2003).…”
Section: Introductionmentioning
confidence: 99%