In the literature, bats appeared already in the fables of Aesops more than five hundred years BC (Anon 2018) and, of course, they were also treated in Aristotle´s work De Animalibus (On animals) in the 3rd century BC. Bats were quite accurately described in 77 AD by Pliny the Elder in his Naturalis Historia (English translation 1967),
ABSTRACTThe bats´ elusive life style and unusual appearance have always stimulated peoples´ imagination, perhaps more so than any other animal. Since medieval times the church has associated bats with the Devil as well as death, darkness and the underground, and, not surprisingly, bats have obtained a given place in folklore, art and fiction. In this paper, we present a remarkable display of bats in Cimetière du Père-Lachaise (the Père Lachaise cemetery) in Paris. The bats are symbolic and occur on vaults from the Romantic period (1820-1850), a passage of European history when bats were quite popular ingredients in artwork and literature, particularly in France. Most of the bat sculptures in Père Lachaise are quite realistic and apparently without any intent to invoke fear or send evil messages. They are typically displayed on the steel gates of the tombs and symbolise death and the long night before the flight to heaven. They often occur in association with an hourglass, a winged skull and/or an ouroboros, icons of the ephemeral nature of life and the eternal cycle of life and death, respectively. We speculate that the bat symbols could also have an apotropaic function, protecting the tomb and its inhabitants from evil forces and/or bad luck. The reputation of bats in Europe has not always been as negative as it is today, and those at Cimetière du Père-Lachaise illustrate its diversity and complexity. The tombs with bats in this cemetery are exclusive and exceptional items of human cultural history and we would strongly appreciate if they would be preserved for future studies and enlightenment.