“…So also the literature on the reproduction of nationhood and national identity highlights symbolism and performance, such as through mundane and repetitive acts of “flagging” national markers (Billig, 1995), staging national anthems (Hobsbawm & Ranger, 1983), and engaging with other materialized symbols and objects (Zubrzycki, 2017). Nationhood and national identity are also displayed, celebrated, and reproduced through spectacles (Zubrzycki, 2016). Szulc (2016), for instance, has described a form of “coupling queer symbolism with national symbolism” in online LGBT communities, specifically the pairing of national references (e.g., country or city names) with well‐known global LGBT symbols (e.g., rainbow flags, pink triangles) to show identification with “an imagined global queer community.” (p. 319) My approach, thus, attends to how symbols and performances play critical roles in the strategic deployment of sexual and national identities.…”