“…For instance, national projects and citizenship have been explored in relation to production and consumption of material objects (Auslander, 1996(Auslander, , 2001Edensor, 2002;Foster, 1999). In her work on the meaning of furniture in Parisians' lives from the mid-17th to the early 20th centuries, Auslander (1996Auslander ( , 2001) explores how the creation of a shared aesthetic of the everyday in terms of a 'national taste' allowed the inclusion of people in the national project of France. She focuses on taste in order to 'grasp the manifestations of the very large and abstract structures and transformations of the world within the small details of life' (Auslander, 1996: 4).…”