National Museums and Nation-Building in Europe 1750–2010 2014
DOI: 10.4324/9781315737133-11
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National Museums as Cultural Constitutions

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Cited by 4 publications
(6 citation statements)
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“…At a time when national self-image is commonly perceived as changing or challenged, national museums can, as Aronsson (2015) suggests, become foci for public debate concerning the nature of that change, and the role of culture, and the culture sector, in it. The four museums of the NMWC appear to be in the position of national museums, in this sense, not in spite, but because they focus on cultures imagined as foreign to Sweden.…”
Section: Concluding Discussionmentioning
confidence: 99%
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“…At a time when national self-image is commonly perceived as changing or challenged, national museums can, as Aronsson (2015) suggests, become foci for public debate concerning the nature of that change, and the role of culture, and the culture sector, in it. The four museums of the NMWC appear to be in the position of national museums, in this sense, not in spite, but because they focus on cultures imagined as foreign to Sweden.…”
Section: Concluding Discussionmentioning
confidence: 99%
“…The museum thus placed the national community in the world, by imposing meaningful order on the surrounding world, of strangers, thereby solidifying the identity of the national community, and the legitimacy of its claims on the surrounding world. Almost universally, these museums could be understood as manifesting national self-identity, and the ideals with which their organizers wanted the nation to be associated (Anderson 2006;Aronsson 2015;Berger 2015;Grinnell 2010;Loseke 2018).…”
Section: Central Conceptsmentioning
confidence: 99%
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