2012
DOI: 10.1080/2159676x.2011.653499
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Narratives of despair and loss: pain, injury and masculinity in the sport of mixed martial arts

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Cited by 62 publications
(62 citation statements)
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“…Abramson & Modzelewski, 2011;Bar-On Cohen, 2009;Hirose & Pih, 2010;Holthuysen, 2011;Rhodes, 2011;Spencer, 2012;Wacquant, 2004), revealing that the relationship between masculinity and martial artistry is constructed relative to the specific social and historical contexts within which the activity takes place. Such a social constructionist approach also informs this present study, as the distinction outlined above, between supposedly 'traditionalist' Eastern styles of martial arts and 'mainstream' sports (including 'Westernised' martial arts) is foregrounded in a discussion of the construction of masculinity among a largely middle-class sample of British male martial artists.…”
Section: Sport Martial Arts and The Construction Of Male Identitiesmentioning
confidence: 99%
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“…Abramson & Modzelewski, 2011;Bar-On Cohen, 2009;Hirose & Pih, 2010;Holthuysen, 2011;Rhodes, 2011;Spencer, 2012;Wacquant, 2004), revealing that the relationship between masculinity and martial artistry is constructed relative to the specific social and historical contexts within which the activity takes place. Such a social constructionist approach also informs this present study, as the distinction outlined above, between supposedly 'traditionalist' Eastern styles of martial arts and 'mainstream' sports (including 'Westernised' martial arts) is foregrounded in a discussion of the construction of masculinity among a largely middle-class sample of British male martial artists.…”
Section: Sport Martial Arts and The Construction Of Male Identitiesmentioning
confidence: 99%
“…Taking its cues from boxing and wrestling, MMA broadcasting typically showcases 'gladiatorial' matches, in which heavily muscled (and almost always male) prize-fighters struggle though what are often bloody contests (Wertheim, 2010). With competitive performance as its mainstay, MMA is situated within a cultural arena largely defined by highly masculinised imagery and discourse (Mayeda & Ching, 2008), and research into MMA training cultures suggests that masculinity is also an important aspect of practitioners' embodiment (Spencer, 2011), akin to other, similarly framed 'masculine' sports cultures. Further, there is a sense of MMA having challenged the status of 'traditionalist' Eastern arts in the West.…”
Section: Arts and Sports: Contested Meanings Of Martial Arts In The Westmentioning
confidence: 99%
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“…Making sense of performance is, in many cases, also a narrative practice in which stories about efforts and the factors influencing performance are used to legitimise or make successes or failures plausible (cf. Tsang 2000;Rinehart 2005;Carless and Douglas 2008;Smith and Sparkes 2009;Spencer 2012).…”
Section: S E N S I N G C O N T E X T S : C O N F I G U R a T I O N Smentioning
confidence: 99%
“…Possessing a sporting talent and a scientific aptitude, Will became fixated on the so-called "internal martial arts" of Praying Mantis Kung Fu, Chen Taijiquan, Baguazhang and Yiquan as applied through pushing hands (a partner training exercise now offered) and Chinese kickboxing (Sanshou). These internal arts emphasize relaxation, body awareness and the constant link between body and mind through slow movement training, rather than physical conditioning, aggression and the obvious violent potential of the modern, pragmatic approaches of MMA and Krav Maga [11,29]. After several years of arduous training, Will became a British Chinese martial arts champion and instructor of Chen style Taijiquan.…”
Section: The Western Scientific Health Philosophymentioning
confidence: 99%