Narrative Functions in Burton’s Sleepy Hollow Movie

Abstract

Narrative is the primary aspect of literary work. The quality of work is represented by narrative. In prose and drama, they both involve story and characters to present events in narrative. The writer chose to analyze narrative functions because the writer wanted to examine the validity of Propp’s theory which considers character’s action as fundamental element of narrative structure. In this research, the writer aimed to find out the narrative functions by analyzing character’s action and to know how the functions are depicted in the movie of Tim Burton’s Sleepy Hollow. The reason of this movie is analyzed since Sleepy Hollow movie had never been analyzed by other researchers. In analysis, the writer used Vladimir Propp’s model since it emphasizes character’s action as fundamental element of narrative structure. This research used formal method which excludes discussions concern with the creator as the main subject of research. the result showed that Sleepy Hollow movie is constructed by 25 functions such as interdiction, violation, reconnaissance, delivery, complicity, villainy, lack, mediation, beginning counteraction, departure, the first function of the donor, the hero’s reaction, provision or receipt of a magical agent, guidance, struggle, initial misfortune or lack is liquidated, return, pursuit, rescue, unrecognized arrival, difficult task, exposure, transfiguration, punishment, and wedding.

Propp morphological analysis on Ready Player One novel: An attempt at defining sci-fi fiction

“…Through these carefully structured actions, this story fragment explores the psychology of fear. In addition to the two studies above, Propp's theory of fairy tale morphology is also used in studies conducted by Bordwell (1988), Arvidsson (2005), Wama and Nakatsu (2008), Ahmadi et al (2013), Sveinsdóttir (2015), Ihsan and Wijayadi (2015), Yanti and Zabadi (2016), Marlia et al (2017), Setyandari (2018), Bulan (2018), Hamim (2020), Vučković and Bratić (2020), and Hellystia and Hasan (2021) which all examine various subgenres of fiction.…”