Abstract:Like various other African-American female writers’ fictional works, Paule Marshall’s creative art is anchored in her triple roots (American, African and Barbadian). She thematizes countless sociocultural phenomena narrowly related to her ancestral background. Substantively, her novel titled Praisesong for the Widow embodies some analeptic narrative devices, which revitalize her community’s painful cultural experiences. With a pronounced passion for literature, she mingles, on the one hand, historical facts wi… Show more
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