Popularizing Dementia 2015
DOI: 10.14361/9783839427101-005
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Narrating the limits of narration. Alzheimer’s disease in contemporary literary texts

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Cited by 13 publications
(4 citation statements)
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“…Books and films about dementia almost all told a story of progressive decline and death, ending in institutionalisation [25,51,52,83], or the death of the person with dementia [28,29,34,35,41,43,44,51,53,54,58,80]. Many books and films depicted the progression of declining ability to comprehend the world, and conduct self-care.…”
Section: Depiction Of People With Dementiamentioning
confidence: 99%
“…Books and films about dementia almost all told a story of progressive decline and death, ending in institutionalisation [25,51,52,83], or the death of the person with dementia [28,29,34,35,41,43,44,51,53,54,58,80]. Many books and films depicted the progression of declining ability to comprehend the world, and conduct self-care.…”
Section: Depiction Of People With Dementiamentioning
confidence: 99%
“…Narrative fiction has ethical and epistemological value in the ways it not only helps us to make sense of the world but in the ways in which it helps us to realize that the world, life, and all its associated experiences, events, and feelings cannot always be made sense of, that nonsense abounds, and that life does not conform to the structure of a good book. 7 Irmela Marei Krüger-Fürhoff (2015) has noted the differences that separate autobiographical writing on Alzheimer's disease from fictional writing, arguing that autobiographical writing, such as Thomas DeBaggio's (2000) Losing My Mind: An Intimate Look at Life with Alzheimer's, aims not at "exploring the breakdown of language but rather at documenting the survival of [a] coherent narrative self" (p. 96). For the one with the disease, autobiographical narrative presents a means of holding on to a sense of self, of resisting the self-effacing threat of becoming "de-storied" when we can no longer remember or articulate who we are (Eakin, 2004, p. 123).…”
Section: "An Experience Without Words": Narratives Of Non-sensementioning
confidence: 99%
“…Given this they ask how 'post narrative' selves can be narrated? (Kruger-Furhof 2015). The ethical implications of the ways that dementia is a characterised as attacking the 'self' has , as Swinnen and Schweda suggest, been a concern of dementia studies across the humanities and social sciences as they try to 'bring alternative philosophical models of personhood to the fore in order to stress that persons are more than their brain, that personal identity does not rest on mental continuity, and that the story of dementia exceeds that of tragic loss and decline ' (2015: 11).…”
Section: Age Dementia and Narration In British Crime Dramamentioning
confidence: 99%