‘My Manor’s Ill’: How Underground Music Told the Real Story of the UK Riots

Attfield, Sarah

doi:10.1057/978-1-137-52911-4_4

Cited by 2 publications

(2 citation statements)

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“…Esta definición ha sido replicada en numerosos estudios (Attfield 2017;Laine, Suurpää y Ltifi 2018;Tranmer 2019), incluyendo el libro frecuentemente citado de John Street (2012) Music and politics (Música y política).…”

Section: Discursos De Resistenciaunclassified

La canción protesta y los discursos de contracultura y resistencia durante la década de 1960 en Colombia

Katz-Rosene

2021

rev.colomb.antropol.

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Este ensayo examina tres movimientos contra-culturales que cautivaron a un amplio sector de la juventud en las principales ciudades de Colombia durante la década de los sesenta: el movimiento de la canción protesta, la subcultura del rock and roll, cuya identidad local se denominó nueva ola, y el nadaísmo, un movimiento literario de vanguardia. Analizo las correspondencias y discontinuidades entre las formas en que los participantes de estos movimientos concibieron los medios ideales para llevar a cabo la resistencia social, cultural y política. Sostengo que, si bien hubo tensiones fundamentales entre los “discursos de resistencia” asociados a cada una de estas corrientes contraculturales, su convergencia a finales de la década de los sesenta facilitó el surgimiento de una variante comercial de canción protesta.

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Section: Discursos De Resistenciaunclassified

La canción protesta y los discursos de contracultura y resistencia durante la década de 1960 en Colombia

Katz-Rosene

2021

rev.colomb.antropol.

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“…of the World, for instance, Dave Laing (2003, 345) differentiated "protest songs", which he defined as "explicit statements of opposition", from the "coded or opaque […] expression of dissidence" found in "music of resistance". This formulation has been reproduced in several studies (Attfield 2017;Laine, Suurpää, and Ltifi 2018;Tranmer 2019), including John Street's (2012) oft-cited book, Music and Politics.…”

Section: Discourses Of Resistancementioning

confidence: 99%

Protest Song and Countercultural Discourses of Resistance in 1960s Colombia

Katz-Rosene¹

2020

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In Colombia, the tumultuous second half of the twentieth century kicked off with a fierce conflict between the Liberal and Conservative parties known as La Violencia (The Violence, ca. 1948-1958). Following a brief period of military rule (1953-1957), a bipartisan system of shared governance, the National Front (1958-1974), brought about some respite to the sectarian bloodshed. However, the exclusionary two-party system precipitated new lines of conflict between the state and communist guerrillas. Along with the political turmoil, the nation was also undergoing an era of profound cultural change. This essay examines three countercultural-oppositional movements that captivated a wide swath of youth in Colombia’s biggest cities during the 1960s: the canción protesta (protest song) movement, the rock and roll subculture denominated as nueva ola (new wave), and nadaísmo, a rabblerousing avantgarde literary movement. I analyze the correspondences and discontinuities in the ways adherents of these movements conceived of the ideal means to carry out social, cultural, and political resistance. While there were fundamental tensions between the “discourses of resistance” linked to these three countercultural streams, I argue that their convergence in the late 1960s facilitated the emergence of a commercial form of canción protesta.

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‘My Manor’s Ill’: How Underground Music Told the Real Story of the UK Riots

Cited by 2 publications

References 23 publications

La canción protesta y los discursos de contracultura y resistencia durante la década de 1960 en Colombia

La canción protesta y los discursos de contracultura y resistencia durante la década de 1960 en Colombia

Protest Song and Countercultural Discourses of Resistance in 1960s Colombia

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