Mutatis mutandis, architettura e narrazione. L'arte di Guarino Guarini

Crescenzi, Carmela

doi:10.3280/oa-548.63

Connettere - Un Disegno Per Annodare E Tessere · Connecting - Drawing for Weaving Relationships 2020

DOI: 10.3280/oa-548.63

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Mutatis mutandis, architettura e narrazione. L'arte di Guarino Guarini

Carmela Crescenzi¹

Abstract: L'Opera Architettonica è universalmente conosciuta come simulacro, un'icona narrante. È un testo capace di sintetizzare richieste e storie. L'architettura, quale arte, è espressione della conoscenza dell'autore e del pensiero del suo tempo, della sua capacità di pensare, di trasporre e trasferire la sua immaginazione. È un testo che promuove riflessioni secondo individuali e soggettive interpretazioni culturali. Connessioni contingenti al periodo barocco e all'Architettura della Sindone e del San Lorenzo a Tor… Show more

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2023

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On the Narrative and Architectonics Applied to Daniil Kharms’ Prose

Gerver

2023

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The present article was written as a response to the formulation of the theme of the conference Musical Composition: Narrative and Architectonics (Gnesin’ Russian Academy of Music, 2022), where in the commonality between music, literature and architecture was stated – i.e., between music and those forms of creativity to whom narrative and architectonics initially pertain. Music possesses the equable capability of perception of compositional principles relevant to both the temporal and the spatial arts, and this circumstance places music in the center of a triple juxtaposition with narrative (and literature presented by it) and architectonics (and, correspondingly, architecture). The author of the article suggests turning the scheme of the triple juxtaposition in such a way, that not music, but architecture would appear at the center. And the focus would be not literature in general, but specifically on Daniil Kharms’ flash fiction — the primary sphere of observation of the peculiarities of the narrative in his works. In the organization of Kharms’ literary works both musical and architectural analogies play a discernible role, the substantiation of which we find in a number of his diary notes, drawings and theoretical texts. The “musical” traits of Kharms’ poetry and prose have been studied to a sufficient degree, which cannot be said about the inherent architectonic qualities intrinsic to them — let us compare them with “the law of symmetry, the law of equilibrium” mentioned in Kharms’ notes (Treatise about the Infinite, 1932). The instrument of the revealing of symmetry in a literary text is the metrotectonic method of Konyus. The article examines three examples of Kharms’ symmetrically aligned prose — the short stories The Optical Illusion, Symphony No. 2 and The Trunk Box.

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On the Narrative and Architectonics Applied to Daniil Kharms’ Prose

Gerver

2023

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Mutatis mutandis, architettura e narrazione. L'arte di Guarino Guarini

Cited by 1 publication

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On the Narrative and Architectonics Applied to Daniil Kharms’ Prose

On the Narrative and Architectonics Applied to Daniil Kharms’ Prose

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