2013
DOI: 10.1177/0305735613511504
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Musical training and musical ability: Effects on chord discrimination

Abstract: The effects of Western musical training and musical ability on the discrimination of intervallic ordering in both tonal and post-tonal chords were examined using an oddball-paradigm experiment. Participants with different levels of formal musical training (composers and theorists, other professional musicians, and non-professionals) but with high scores from a musical aptitude test (the KMT) were recruited. The results of the study revealed a main effect for the type of musical training: composers' and theoris… Show more

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Cited by 7 publications
(6 citation statements)
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“…Practicing has been shown to turn processes that initially require conscious control into automatic processes, thus leaving limited attentional resources available for higher-order processes (Jansma, Ramsey, Slagter & Kahn, 2001). For professional musicians, these processes are related to performing and practicing an instrument as well as analyzing and conceptualizing music (Kuusi, 2015; van Zuijen, 2006). Practicing harmonies can enhance both conceptually-based strategies and perceptually-driven mechanisms (Goldstone, 1994) that could facilitate the identification of music from chords.…”
Section: Discussionmentioning
confidence: 99%
“…Practicing has been shown to turn processes that initially require conscious control into automatic processes, thus leaving limited attentional resources available for higher-order processes (Jansma, Ramsey, Slagter & Kahn, 2001). For professional musicians, these processes are related to performing and practicing an instrument as well as analyzing and conceptualizing music (Kuusi, 2015; van Zuijen, 2006). Practicing harmonies can enhance both conceptually-based strategies and perceptually-driven mechanisms (Goldstone, 1994) that could facilitate the identification of music from chords.…”
Section: Discussionmentioning
confidence: 99%
“…Exposure to musical practices and the resulting musical enculturation leads to facilitated processing of music of one's own culture, even without explicit training (Hannon & Trainor, 2007;Virtala & Tervaniemi, 2017). The process of enculturation is modified, e.g., by motivation (Virtala & Tervaniemi, 2017), and the perception and judgment of consonance/dissonance is connected to familiarity, emotions, preferences, learning, musical expertise, and knowledge of tonal hierarchy (Arthurs et al, 2018;Johnson-Laird, Kang, & Leong, 2012;Kuusi, 2015;Lahdelma & Eerola, 2016;Omigie, Dellacherie, & Samson, 2017;Parncutt & Hair, 2011;Popescu et al, 2019;Rehding, 2019;Virtala & Tervaniemi, 2017). In particular, musicians have been shown to outperform nonmusicians in behaviorally discriminating chords and dissonance from consonance (see, e.g., Kung et al, 2014;Sares et al, 2018;Virtala et al, 2014).…”
mentioning
confidence: 99%
“…Consistent training in music has also been shown to induce a commonality in the cognitive characteristics of professional musicians. For instance, in instrumentalists, practicing music leads to a shift from an effortful controlled cognitive processing to an effortless automatic cognitive processing14, thus leaving the limited attentional abilities available for higher-order processes of music performance15. Music performance is also known to induce emotion-related psychophysiological responses and generate a robust brainstem encoding of linguistic pitch patterns1617.…”
mentioning
confidence: 99%