2003
DOI: 10.1002/mar.10092
|View full text |Cite
|
Sign up to set email alerts
|

Musical tempo and waiting perceptions

Abstract: Digital technology was used to isolate musical tempo from other musical variables, and experimental results in an undergraduate registration queue context confirmed the existence of a significant, positive relationship between background musical tempo variation and temporal perception (perceived minus actual wait duration). Findings also revealed how slow-tempo music produced significantly enhanced affective response (satisfaction, positive disconfirmation of expectations, and relaxation) compared to fast-temp… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

7
101
1
6

Year Published

2005
2005
2016
2016

Publication Types

Select...
7
1

Relationship

1
7

Authors

Journals

citations
Cited by 112 publications
(115 citation statements)
references
References 31 publications
7
101
1
6
Order By: Relevance
“…Comparing the role of music in freeskiing to the approach taken in prior studies on background music in stores (Hui et al 1997;Knoferle et al 2012;Oakes 2003) clarifies this point. Throughout a day of training, freeskiers listen to music almost constantly.…”
Section: Five Practice Elements That Shape Timeflowmentioning
confidence: 92%
See 1 more Smart Citation
“…Comparing the role of music in freeskiing to the approach taken in prior studies on background music in stores (Hui et al 1997;Knoferle et al 2012;Oakes 2003) clarifies this point. Throughout a day of training, freeskiers listen to music almost constantly.…”
Section: Five Practice Elements That Shape Timeflowmentioning
confidence: 92%
“…These aspects include customer entertainment (Katz et al 1991), service convenience (Berry, Seiders, and Grewal 2002), mental wait-management strategies (Miller, Kahn, and Luce 2008), information about the length of or reasons for waiting (Hui and Tse 1996;Hui, Tse, and Zhou 2006), or various aspects of physical and atmospheric design (Baker and Cameron 1996;Bitner 1992). For example, olfactory cues such as a pleasurable scent (Spangenberg, Crowley, and Henderson 1996) or background music (Hui, Dubé, and Chebat 1997;Knoferle et al 2012;Milliman 1982Milliman , 1986Oakes 2003) can enhance shoppers' subjective experiences, increase lingering time in stores, and reduce the perception of waiting time.…”
Section: From Servicescapes To Practicesmentioning
confidence: 99%
“…Similarly, slow (vs. fast) tempo music was found to decrease restaurant patrons' dining speed, waiting time, and amount spent (Milliman, 1986). Oakes (2003) found that music tempo affected perceived waiting time in a registration line, and that slow-tempo music increased positive affective responses. Consistent with these results, McElrea & Standing (1992) showed that slow music significantly decreased speed of drinking, and in a study by music was found to induce arousal and pleasure among bank customers, which then affected their desire to affiliate with the bank employees.…”
Section: Behavioral Responses To Retail Density and Musicmentioning
confidence: 94%
“…Oakes (2003) investigated the effects of congruency between music tempo and social density on feelings of stress in an undergraduate registration queue context. He reported that congruous (low arousal) conditions (slow-tempo music and low social density) enhanced feelings of relaxation in a waiting environment.…”
Section: Feelings and Behavioral Intentionsmentioning
confidence: 99%