2012
DOI: 10.1093/cercor/bhs180
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Music Training for the Development of Speech Segmentation

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citations
Cited by 247 publications
(276 citation statements)
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References 41 publications
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“…linguistic pitch discrimination (Marques, Moreno, Castro & Besson, 2007;Lee & Hung, 2008;Cooper & Wang, 2012), segmental and tonal processing (Marie, Delogu, Lampis, Belardinelli & Besson, 2011), and congruous prosody discrimination (Wong, Skoe, Russo, Dees & Kraus, 2007). Similar studies were conducted with babies and children who received musical training before taking a language test in contrast with a control group (Magne, Schön & Besson, 2006;Forgeard, Schlaug, Norton, Rosam, Iyengar & Winner, 2008;Moreno, Marques, Santos, Castro & Besson, 2009;Chobert, Clément, Velay & Besson, 2012;François, Chobert, Besson & Schön, 2013). The results leave no doubt about the fact that music training brings about physical changes, especially regarding motor skills such as unimanual and bimanual responses, as well as cognitive and behavioural changes, e.g.…”
Section: Introductionsupporting
confidence: 58%
“…linguistic pitch discrimination (Marques, Moreno, Castro & Besson, 2007;Lee & Hung, 2008;Cooper & Wang, 2012), segmental and tonal processing (Marie, Delogu, Lampis, Belardinelli & Besson, 2011), and congruous prosody discrimination (Wong, Skoe, Russo, Dees & Kraus, 2007). Similar studies were conducted with babies and children who received musical training before taking a language test in contrast with a control group (Magne, Schön & Besson, 2006;Forgeard, Schlaug, Norton, Rosam, Iyengar & Winner, 2008;Moreno, Marques, Santos, Castro & Besson, 2009;Chobert, Clément, Velay & Besson, 2012;François, Chobert, Besson & Schön, 2013). The results leave no doubt about the fact that music training brings about physical changes, especially regarding motor skills such as unimanual and bimanual responses, as well as cognitive and behavioural changes, e.g.…”
Section: Introductionsupporting
confidence: 58%
“…Both activities were part of the high school curriculum, which was otherwise identical for both groups. We also tested students' language skills (phonological memory, phonological awareness, and rapid naming ability) to determine whether in-school music engendered benefits for literacy skills, a prediction consistent with cross-sectional studies (39)(40)(41)(42)(43)(44)(45). The two groups were matched demographically and on all outcome measures at the start of the study (see Table S1 for demographic information for the two groups).…”
Section: Significancementioning
confidence: 99%
“…Studies comparing nonmusicians with musicians who began training early in life have revealed a "signature" set of enhancements associated with musical experience (27,28). Relative to nonmusician peers, musicians tend to show enhanced speech-innoise perception (29)(30)(31)(32)(33)(34), verbal memory (30)(31)(32)(33)(35)(36)(37)(38), phonological skills (39)(40)(41)(42)(43)(44)(45), and reading (46-50), although not without exception (51,52). Music training has also been linked to enhancements in the encoding of sound throughout the auditory system.…”
mentioning
confidence: 99%
“…The distinctiveness of perceptual cues depended on the type of first language-implying that some languages themselves enhance phonological perception more than other languages. Moreover, François, et al (2012) experimentally assigned children to 2 years of music and painting training and noted that only musical training improved speech segmentation abilities in an artificial language as demonstrated by behavioural and electrophysiological responses. Herrera, Lorenzo, Defior, Fernandez-Smith, and Costa-Giomi (2011) used a similar paradigm and showed that a 2-year phonological and musical intervention improved both naming and phonological awareness of real language words.…”
Section: Enhanced Phonological Processing and Production And L2 Comprmentioning
confidence: 99%
“…Firstly, musical and speech sounds are segmented and processed similarly by the auditory system (François, Chobert, Besson, & Schön, 2012;Schön et al, 2010). Secondly, these components of language and music may be compounded into larger meaningful units in a structured hierarchical manner-grammar and harmony or rhythm (Patel, 2010;Sloboda, 1985).…”
mentioning
confidence: 99%