2017
DOI: 10.1007/s00426-017-0898-y
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Music-space associations are grounded, embodied and situated: examination of cello experts and non-musicians in a standard tone discrimination task

Abstract: In recent research, a systematic association of musical pitch with space has been described in the socalled Spatial-Pitch-Association-of-Response Codes-effect (SPARC). Typically, high pitch is associated with upper/ right and low pitch with lower/left space. However, a theoretical classification of these associations regarding their experiential sources is difficult. Therefore, we applied a theoretical framework of numerical cognition classifying similar Space-Associated Response Codes (SARC) effects according… Show more

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Cited by 12 publications
(14 citation statements)
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“…For example, how are different pitch mappings mentally represented in a musician who plays a piano, violin, and clarinet, each of which has a different pitch-space orientation (cf. Lachmair et al, 2017)? Further investigation is needed to examine what other aspects of one's musical or nonmusical experience contribute to the formation of pitch-space relations that might affect motor execution.…”
Section: Discussionmentioning
confidence: 99%
“…For example, how are different pitch mappings mentally represented in a musician who plays a piano, violin, and clarinet, each of which has a different pitch-space orientation (cf. Lachmair et al, 2017)? Further investigation is needed to examine what other aspects of one's musical or nonmusical experience contribute to the formation of pitch-space relations that might affect motor execution.…”
Section: Discussionmentioning
confidence: 99%
“…This could have led to conflicting reference frames, one grounded reference frame according to spatial attributes and one embodied reference frame according to grammatical number (cf. Wood et al, 2006 ; Lachmair et al, 2017 ). Accordingly, the spatial semantic priming vanished.…”
Section: Methodsmentioning
confidence: 99%
“…Further, this suggests that experiential sources also allow categorizing associations of experiential representations according to their robustness, strength, and flexibility. Support for this view comes from a recent study comparing the behavior on musical pitch between well-trained cello player and non-musicians (Lachmair et al, 2017 ). On a cello, high tones are produced by grasping the strings downwards to the tailpiece and low tones by grasping the strings upwards to the scroll.…”
Section: Introductionmentioning
confidence: 99%
“…This reflects a general grounding experience of more of something (in this case water) being associated spatially and accordingly numerically higher magnitudes regardless of culture or place on earth (cf. Lachmair et al, 2017 ).…”
Section: Introductionmentioning
confidence: 99%
“…This raised the question at which level grammatical number and physical space interact. According to the hierarchical structure proposed by Fischer and Brugger (2011 , see also Myachykov et al, 2014 ; Lachmair et al, 2017 ), the horizontal spatial representation of grammatical number may be considered embodied because it relies on an overlearned cultural convention and not on an omnipresent physical law that may shape human cognition.…”
Section: Introductionmentioning
confidence: 99%