2013
DOI: 10.1086/671360
|View full text |Cite
|
Sign up to set email alerts
|

Music, Sound, and the Laboratory from 1750 to 1980

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
5
0

Year Published

2017
2017
2024
2024

Publication Types

Select...
4
4

Relationship

0
8

Authors

Journals

citations
Cited by 16 publications
(5 citation statements)
references
References 7 publications
0
5
0
Order By: Relevance
“…Many STS researchers are critical of any essentialist explanations for this: what Sterne (2003, p. 15) dubs the ‘audiovisual litany’, where sound is described as affective and relational, in contrast to the visual, which is apparently more objective and authoritative. Instead, the framing of science as a primarily visual way of knowing is understood to be a result of distinct socio-cultural histories and practices (Bijsterveld, 2019; Daston & Galison, 1992; Hui et al, 2013; Sterne, 2003).…”
Section: Sonic Geographies Of Knowledge Productionmentioning
confidence: 99%
“…Many STS researchers are critical of any essentialist explanations for this: what Sterne (2003, p. 15) dubs the ‘audiovisual litany’, where sound is described as affective and relational, in contrast to the visual, which is apparently more objective and authoritative. Instead, the framing of science as a primarily visual way of knowing is understood to be a result of distinct socio-cultural histories and practices (Bijsterveld, 2019; Daston & Galison, 1992; Hui et al, 2013; Sterne, 2003).…”
Section: Sonic Geographies Of Knowledge Productionmentioning
confidence: 99%
“…Yet these were based on the harmonic series underlying the Western tonal system: for example, telephone engineers invented the harmonic telegraph for analyzing, compressing and synthesizing speech. The arrows of influence continued to operate in both directions, as the electronic sounds produced for scientific experiments found their way back into musical compositions (Hui, Kursell, and Jackson 2013).…”
Section: Music and Sciencementioning
confidence: 99%
“…Research on the acoustics of interiors has been the subject of scientists' interest for a long time. Multiple acoustic phenomena and the impact of the room shape on the acoustics have been the focus of many researchers for years up to the present day [1][2][3][4]. Acoustic performance is usually analyzed from either a subjective perception of listeners when immersed in auditoria (e.g., reverberance, clarity, loudness, intimacy, warmth, etc.)…”
Section: Introductionmentioning
confidence: 99%