2012
DOI: 10.1111/j.1467-7709.2011.01008.x
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Music Pushed, Music Pulled: Cultural Diplomacy, Globalization, and Imperialism*

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Cited by 20 publications
(4 citation statements)
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“…To explain important events in international politics, is it sufficient to focus on the institutionally powerful — the “great men” who sit in capitals? The answer, given by a generation of scholars interested in the contributions that unusual agents make, is clearly “no.” Studying less ordinary forms of political power is important because individuals in professions often thought marginal, such as military or diplomatic wives (Enloe, 1983: 46–91; 2000: 93–123), prostitutes (Moon, 1997), or musicians (Ansari, 2012; Davenport, 2009; Fosler-Lussier, 2012), can dramatically influence international politics. Yet, while these scholars have shown that agents often thought to have little influence matter, they have paid less attention to the conditions under which they matter.…”
Section: Discussionmentioning
confidence: 99%
“…To explain important events in international politics, is it sufficient to focus on the institutionally powerful — the “great men” who sit in capitals? The answer, given by a generation of scholars interested in the contributions that unusual agents make, is clearly “no.” Studying less ordinary forms of political power is important because individuals in professions often thought marginal, such as military or diplomatic wives (Enloe, 1983: 46–91; 2000: 93–123), prostitutes (Moon, 1997), or musicians (Ansari, 2012; Davenport, 2009; Fosler-Lussier, 2012), can dramatically influence international politics. Yet, while these scholars have shown that agents often thought to have little influence matter, they have paid less attention to the conditions under which they matter.…”
Section: Discussionmentioning
confidence: 99%
“…Another reason for evolving of this industry is cultural exchange. The cultural exchange has also enhanced the importance of this industry ( Fosler-Lussier, 2012 ). Earlier, the music industry was not accepted as a carrier but now it has become one of the fastest-growing reasonable sources of society’s earnings.…”
Section: Introductionmentioning
confidence: 99%
“…As Danielle Fosler-Lussier points out, even when foreign audiences desirously import culture, aided by cultural ambassadors who are eager to export to them, "pushing" culture can lead to complaints of imposition. 10 In short, cultural diplomacy requires prodigious mindfulness of an audience, adroit communication across borders, and a judicious separation between the state and cultural agents engaging with foreign communities. In this regard, a degree of separation between state actors and private agents working in cultural industries adds value to cultural diplomacy programs.…”
mentioning
confidence: 99%