Music Programs and Posters: The Need for an Inventory

Fuld, James J.

doi:10.2307/940313

Cited by 2 publications

(2 citation statements)

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“…The ephemeral status of concert programmes has inspired historians, archivists, librarians, and music curators to examine the role of these artefacts in practices of collecting, processing, archiving, storing, and preserving (Fuld, 1981). Darlington-Rielly (2019) underlines how concert programmes challenge processes of acquisition and access, retention, cataloguing and classification, and digitisation.…”

Section: Concert Programmes: Concert Life Richness and Ephemeralitymentioning

confidence: 99%

“…116-117). of scholarly literature within library and archive studies which tries to comprehend and position art and music ephemera within their respective practices (see, for example, Fuld, 1981;Lee, 2006Lee, , 2008Lloyd, 2003;Twyman, 2000;Wiermann, 2009). In this body of literature, ephemerality constitutes a primary concern because it poses major conceptual as well as methodological challenges.…”

Section: Concert Programmes: Concert Life Richness and Ephemeralitymentioning

confidence: 99%

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Section: Concert Programmes: Concert Life Richness and Ephemeralitymentioning

confidence: 99%

Section: Concert Programmes: Concert Life Richness and Ephemeralitymentioning

confidence: 99%