“…The criterion of using an experimental audio-visual stimulus alone was also not sufficient for inclusion in the present review. The semantic function of music in persuasive communication in advertising (e.g., Hung, 2000, 2001; Martín-Santana, Reinares-Lara, & Muela-Molina, 2015; Zhu & Meyers-Levy, 2005; Ziv, Hoftman, & Geyer, 2011) or in reporting of news (e.g., Kopiez, Platz, & Wolf, 2013) is not easily equated with the function of music in fictional film due to different reception mechanisms in these fundamentally different media formats. Studies on music’s potential to convey meaning in video games (e.g., Lipscomb & Zehnder, 2004) were also excluded.…”