The Cambridge Companion to John Cage 2002
DOI: 10.1017/ccol9780521783484.005
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Music I: to the late 1940s

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Cited by 15 publications
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“…The early career of John Cage followed a fascinating arc, beginning with a desire to find new sounds, followed by captivation with the very antithesis of sound (silence), which in turn fed into a near complete relinquishment of compositional control in favour of chance and indeterminacy. Cage's search for new sounds was exemplified by his Sonatas and Interludes of 1946-48 (age 34-36), a work for prepared piano widely acknowledged as the finest composition of his early period (Pritchett, 1993;Bernstein, 2002;Nicholls, 2007). This work is highly organised not only in terms of the sequence of pieces within it but also in its sophisticated proportional structures-a means of compositional organisation that Cage often employed, beginning with 1939's First Construction (in Metal).…”
Section: Leading Up To 1952mentioning
confidence: 99%
“…The early career of John Cage followed a fascinating arc, beginning with a desire to find new sounds, followed by captivation with the very antithesis of sound (silence), which in turn fed into a near complete relinquishment of compositional control in favour of chance and indeterminacy. Cage's search for new sounds was exemplified by his Sonatas and Interludes of 1946-48 (age 34-36), a work for prepared piano widely acknowledged as the finest composition of his early period (Pritchett, 1993;Bernstein, 2002;Nicholls, 2007). This work is highly organised not only in terms of the sequence of pieces within it but also in its sophisticated proportional structures-a means of compositional organisation that Cage often employed, beginning with 1939's First Construction (in Metal).…”
Section: Leading Up To 1952mentioning
confidence: 99%