2005
DOI: 10.1111/j.1469-5812.2005.00102.x
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Music Education, Performativity and Aestheticization

Abstract: This paper discusses the phenomena of performativity and aestheticization and their implications for education. The forces of performativity pose a threat to music and the other arts, even though some advocators try to justify music education by appealing to their alleged performative results. At first sight, aestheticization seems to accord much better with music education but closer analysis of this many-sided phenomenon also yields negative points: superficiality often reigns, overfeeding leads to anaesthes… Show more

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Cited by 5 publications
(4 citation statements)
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References 7 publications
(7 reference statements)
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“…Derrida is against defining concepts in instructional materials. It is rooted in the metaphysical presence of Aristotle, and it cannot lead to an understanding of matter and phenomena (Corson, 2020;Evans, 2019;Koopman, 2005). According to Derrida's structure, integrity, logical sequence, and meaning aspects of instructional materials are unreal and imaginary.…”
Section: Resultsmentioning
confidence: 99%
“…Derrida is against defining concepts in instructional materials. It is rooted in the metaphysical presence of Aristotle, and it cannot lead to an understanding of matter and phenomena (Corson, 2020;Evans, 2019;Koopman, 2005). According to Derrida's structure, integrity, logical sequence, and meaning aspects of instructional materials are unreal and imaginary.…”
Section: Resultsmentioning
confidence: 99%
“…For his part, Koopman (2005) tried to debunk the myth of the impossibility or illusory prospects of postmodern music education. He noted two opposing phenomena that methodologists and organizers of the educational process resort to: perforation and aestheticization, Koopman (2005).…”
Section: Contradictions and Compromisesmentioning
confidence: 99%
“…For his part, Koopman (2005) tried to debunk the myth of the impossibility or illusory prospects of postmodern music education. He noted two opposing phenomena that methodologists and organizers of the educational process resort to: perforation and aestheticization, Koopman (2005). Both phenomena in the methodological sense are ways to adapt a variety of musical material to its teaching in secondary schools of the postmodern era.…”
Section: Contradictions and Compromisesmentioning
confidence: 99%
“…This is in line with Embree (2010) who summarises it as disciplinarity in phenomenology which is outlined as philosophical phenomenology, communicological phenomenology, sociological phenomenology and psychological phenomenology. This study reviewed studies across disciplines which include Public Administration (Thani, 2012), education (Booysen, 2021; Isabirye & Makoe, 2018; Khanyile, 2020; Koopman, 2015; Koopman & Koopman, 2020; Mamabolo, 2002; Thomson, 2008; Van der Mescht, 2004), psychology (Furtak & Barnard, 2021; Kruger, 2001; Makoe, 2008; Van der Neut, 2020), Sociology (Brewer, 1979; Groenewald, 2004; Gukelberger & Meyer, 2021; Muchena, Howcroft & Stroud, 2018; Wojciechowska, Coetzee & Rau, 2019). The review reveals the importance of using a phenomenological approach in researching phenomena across disciplines.…”
Section: Introductionmentioning
confidence: 99%